Image: Zivah Avraham
He buried himself before sketching his life out in solitude imagining women, kindness presence graphite, angles, curves a softness where the heart lay beating, gently signposting a path through fog and smoke and shining slabs running water, chaotic, along back alleys shoes slapping, echoing, smacking against red brick walls making secrets of mean backyards with just enough space for an outside toilet, a mangle, a desultory flower pot, and runner beans snaking to the heavens on bamboo poles sunk deep into reluctant clay He ran, kept on running, like water, like water chasing himself to the lowest point finding his level crampons scraping grammar school gates until he found solace in grey blue eyes eyebrow arches, a fleeting smile and the seeing of his soul fingers itching to tell her story in charcoal body aching to describe her in the depths of winter: and then running, running, teen-age rampaging through one, two, three seasons “oh, isn’t she beautiful?” the most he could say the worst he would feel projecting himself on walls of white on suffocation, on street light beacons to one more path away from here and all he knew he should hold, so tight and the chiaroscuro of the burial ground as he pulled more soil and sods and sorrowful roses stuffing grass and worms, yearning, into his mouth silencing himself protecting the daughter releasing the lover escaping to the mother whose heart beat an arrhythmia to the sound of his slapping feet the sinful city of gunsmiths and jewellery sparkling with false hope reflecting on himself and he shut his eyes sketched another future again, and again, and again, and again, and again Years slide water runs pencils glide the ground shudders under the weight of all that he carries threatens to swallow him whole He dreams that his daughter finds him and he lies there, still made mute Atlas laid to waste bifurcating all you know is too much for one soul to bear making gods of men is such a mistake he would have thought, if he could and still: his fingers twitch striving, drawing the ghosts of his life a mother there a daughter here a primordial embrace together, at last “it’s okay, Dad, you can go now” Is he dreaming? was it all real? was that living? is he living still? The heart beats on in female curves in his daughter’s knowing eyes in the mirror’s reflection in the pages, scribed
A poem about my dad, from, perhaps, his perspective. I knew him too well, but not enough, all at once. An oxymoron, definitely. But that was our life, as we knew each other, for as long as it lasted.
If reading this impacted you and you have the means to do so, you can buy me a coffee - fair warning, I’ll buy books! Or notebooks. Or stationery.
And… Or… you can do this!
Heartwarming, especially after reading the note at the end. Beautiful lines, Zivah.
Wow, Zivah. This is so fucking beautiful. Your first three lines gutted me. Gorgeous writing 🖤